MD: First off, when did you first come across the art of sound and what were your impressions at the start?

MM: In the early 90's I bought many records by a mailorder katalog. I found some descriptions like 'only for the hardest' or 'really not an easy listening' or 'only noise'. I was courious. So I bought stuff like Korpses Katatonic, Brighter Death Now, Blackhouse, Einstürzende Neubauten (off course!) and and similar bands. And the sound was great. Dark & ugly, loud & angry. First of all I loved the early Cold Meat Industry stuff. After hearing a CD called 'Kultureshot 2', I say by me: Try this at home! I took my Microcassette-Recorder and made my first tape. Problem Anderer Leute was born in 1994.

MD: After this, how did inpiration first come about for the albums you have put out? In other words, what was the experience of recording for you like?

MM: I had no concrete inspiration for my music. I play around with my gear - and press record if it sounds good. Sometimes I try to create a specific sound. Like dark or spooky for example. But the sound of the tracks became harsher if I was angry or drunk. Mostly I work without any plan.

MD: Do you feel much debt in recording your tracks or is it more just winging it and seeing what results, or maybe half and half?

MM: Yes both. Sometimes I had a psychedelic feeling. Sometimes it's just for fun.

MD: Do you have any influences to your work? Or do you more so try to think from your own mind, uninfluenced by any others?

MM: I try to be unique. And I think 'Death Industrial' has influence into my work. But perhaps there's still influences without my knowledge. 

MD: Finally, do you have any advice for our youngsters in the underground community? 

MM: Be laud! And don't trust people who say: I know how Noise must sound like.